Tamroni uus SP 70-200mm f/2.8 Di VC USD G2 teleobjektiiv on edasiarendus vanast 70-200mm objektiivist. Uuel objektiivil on võetud kasutusele uus autofookuse mootor ning parendatud stabilisaatorit; loomulikult ka uuendatud optilist disaini. Lisaks on uus A025 mudel ühilduv Tamroni telekonverteritega, mis suudavad fookuskaugust pikendada kuni 400mm.Tamron VC pildistabilisaator on saanud mitmeid hädavajalikke uuendusi ning pakub kuni 5-stopist stabilisatsiooni. Sel on lausa kolm töörežiimi, andes kasutajatel paindlikkuse objektiivi kasutades. Esimene neist režiimidest on standardrežiim – tasakaal stabiliseeritud foto ning pildiotsija pildi vahel. Režiim kaks on spetsiaalselt liikuvate subjektide pildistamiseks nn panning tehnikaga – sisuliselt pakkudes ainult vertikaalset stabilisatsiooni. Režiim kolm seab lõppfoto esikohale ning sisuliselt pildiotsija eelvaadet ei stabiliseeritagi.
Z-kinnitusega DX-formaadis objektiivid on optimeeritud laia Nikoni Z-bajoneti suurepärase valguse kogumise võime jaoks. Need suumobjektiivid teravustavad kiiresti, vaikselt ja ühtlaselt, mistõttu need sobivad ühtviisi hästi nii video kui fotode jaoks. Mugavalt kaasaskantav NIKKOR Z DX 16-50mm f/3.5-6.3 VR on „pannkook-suumobjektiiv”, mis katab kaunilt vahemiku lainurgast portreevaateni.
600 mm teleobjektiiv; Võimekas pildistabilisaator, kuni 5 stoppi; Kiire ning vaikne STM teravustamismootoriga; Ideaalne loodus- ja reisifotograafiaks; Canoni täiskaader hübriidkaameratele
Esmaklassiline G Master seeria telefoto objektiiv.
2 XA elementi kõrge eraldusvõime ja 2 ED elementi loomuliku värvi jaoks.
Suur F1.4 maksimaalne ava ja 11 labaga ümmargune ava tagavad suurepärase bokeh-efekti.
Viimistletud automaatse teravustamise jõudlus, mis on kiire, täpne ja vaikne.
2 fookuse hoidmise nuppu, AF/MF lüliti ja Linear Response MF täielikuks juhtimiseks.
This Manfrotto 293 Telephoto Lens Support is ideal for telephoto lenses which do not come with a tripod collar of their own, typically medium-telephoto lenses. The length of the bracket is adjustable to take different length lenses.
Control reflectionsSince light reflected from non-metallic surfaces polarizes, the HOYA HD Mk II CIR-PL filter makes it possible to control which light enters the lens, giving you more creative avenues to improve your image.One such avenue is the reduction of reflections, for example, on water surfaces. With the HOYA HD Mk II CIR-PL, you can greatly control and remove reflections, allowing you to show the natural colors and details of submerged objects.It is also possible to reduce reflections from glass surfaces, allowing you to see through glass windows. This way, you can make out the interior of buildings!Enhance contrast and color saturationThis filter is not limited to surface light reflection control. Light waves reduce clarity and saturation of certain colors, making them appear hazed in the final photo.The HOYA HD Mk II CIR-PL also filters these light waves, greatly enhancing color contrast, and making skies and green foliage look more defined through deeper and more natural color tones.
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 52 mm filter thread
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 67 mm filter thread
Lens cap for smc Pentax DA 21mm f/3.2 AL Limited lens. It protects the front lens surface from scratches, dust, and splashing water. Easy to attach and remove from lens Protects front lens surface For smc Pentax DA 21mm f/3.2 AL Limited
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 77 mm filter thread
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 77 mm filter thread
Lens cap prevents dust and dirt buildup when the lens is not in use, and also safeguards it against scratches, fingerprints, bumps and other light impact. Easy to attach and remove from lens Protects front lens surface For lens with 67 mm filter thread
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 62 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 77 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 58 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
Lens caps protect the camera's lens from scratches, fingerprints and the elements when the camera is not in use. This lens cap snaps on over the lens of the camera and has a leash so the cap hangs with the camera or camera strap when shooting so the cap won't get lost. Thanks to it's snap-design it can be used even when the lens has a hood mounted on it. For lenses with a 55 mm filter thread Protects front lens surface Can be used with filters and hoods Easy to attach and remove from lens Cap leash won't let it get lost
HOYA FUSION ONE NEXT is a renewed series of HOYA FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers drastically minimize ghosts and flares Ultra-smooth frame rotation Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean HOYA's professional grade optical glass HOYA exclusive two-piece, low-profile filter frame with front filter thread
HOYA FUSION ONE NEXT is a renewed series of FUSION ONE filters based on the new HOYA optical technology. It is aimed to replace the long seller HOYA PRO1D series, which has been widely used by amateur and professional photographers all over the world. The word "ONE" in the naming of this series is left as legacy of HOYA PRO1D, in memory of its contribution to photographers' creativity, with the belief that this new series will serve as well for many decades ahead.HOYA FUSION ONE NEXT is joining the HOYA filters line-up with the fusion of all highly valued basic specifications, such as multi-layered coating, ultra-high light transmission, high grade optical glass and low-profile frame, while newly incorporating a stain resistant and water repellent coating to match the new standards in photographic optical accessories industry. Suggested for both amateur and professional photographers. 18 coated layers provide ultra-high light transmission Stain resistant - protects from fingerprints and smudges Water repellent - easy to keep filter clean For permanent lens protection HOYA's professional grade optical glass HOYA exclusive one-piece, low-profile filter frame with front filter thread
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
About the seriesThe MIST DIFFUSER BLACK is a soft-type filter that diffuses light and suppresses the contrast between highlights and shadows to create exquisite nuances reminiscent of a scene in a movie. The beauty of the MIST DIFFUSER BLACK is that you can obtain cinematic textures on the spot, without retouching.Type NO0.5 & NO1The MIST DIFFUSER BLACK No0.5 has a rather subtle diffusing effect, making the filter perfect in settings with strong backlighting. The No1 has a comparatively stronger light diffusing effect, making the filter great in low light scenes.In video & cinemaThe cinematic effect is not only great in photography, but also excels in videos and movies. It pushes a little bit back that recent trend of "over sharpness" and gives a vintage look that is reliably repeatable across various cameras and lenses.The MIST DIFFUSER BLACK also takes away the time-consuming work to add a diffusion effect in post-production and provides instant feedback on the set.For an impressive light in nightscapeThrough diffusing light around light sources and suppressing shadow contrasts, the image gets a stylish cinematic look. In contrast to common soft-filters, the MIST DIFFUSER BLACK does not whiten the image.Smoothens skinThrough its soft-effect, the MIST DIFFUSER BLACK smoothens skin texture and reduces overall contrast. This gives models a stylish look, which makes the filter perfect for portrait shots.Difference between NO0.5 and NO1The HOYA MIST DIFFUSER BLACK is available in No0.5 and No1. Compared to other soft filters, the MIST DIFFUSER BLACK No1 does not whiten the image, and compared to the No0.5, has a greater light diffusing effect in strong backlighting or night scenes. The No0.5 creates a more subtle effect, making the filter perfect even with strong backlighting or in situations with strong light sources close to the camera.Tips for shooting MIST DIFFUSER BLACK No0.5 and No1 are recommended for different scenes. No0.5 is suitable for night scenes and backlit scenes when the sun starts to set, while No1 is more suitable for forward lit or low light situations. The soft effect is stronger when the focal length of the lens is on the telephoto side and weaker at the wide-angle side. The effect may vary depending on the type of light source and other shooting conditions like for example shutter speed. The effect seen in the viewfinder and the result of shooting (depending on print, monitor size, etc.) may differ. The final result will also change depending on the exposure compensation, so it is recommended to use exposure compensation if necessary.
